Writing
2023
Hay, G., Stepping outside clay, into paper clay; Mirn, Indian Ceramic Art Foundation, India, 2, 62-66.
2022
Hay, G., Challenges today technical and aesthetic, The Journal of Australian Ceramics, July 2022. Vol 61, No. 2, July, p.39
2019
Hay, G., Wired into paper clay, Studio Potter, US, 47,1, 62-65. ISSN: 0091-6641
2017
GAA Foundation, Personal Structures open borders, Exhibition Catalogue, European Cultural Centre, Venice, p.444-5 (large file) ISBN: 978-90-826559-1-9
2016
Hay, G., Looking at Periscope, Pyre, Ceramic Art Assoc. of Western Australia, May, p.6-7
2015
(jointly with Dr Neil Carlin), Translating ceramics: Neolithic to Digital, to Contemporary Social Object Ceramics Ireland, 34 p44-46 ISSN: 13939513. An email conversation between an Irish academic and Perth artist on opposite sides of the globe, and the resulting two, 2m high porcelain and paper sculptural objects, made for the 2014 Dublin Biennial international art exhibition.
2014
iHeads / stone phone cairns, Pyre, Ceramic Arts Association of Western Australian Journal, September p11-16
Document how research into the parallels between 4,000 year old clay cuneiform tablets and modern smart phones, lead to the creation of two, two metre high faces made from ceramic paper clay phones. These were selected by curator Emma Mahanay, on behalf of the Lawrence Wilson Art Gallery (UWA), for their 2014 Here&Now14 exhibition, and by Sculpture by the Sea for their 2015 Cottesloe Beach exhibition. The Arts Editor of The West Australian daily newspaper listed the work in the top ten works, and the Director of the WA State Gallery picked it as one of the 5 best works.
2013
Paper clay. Revista Internacional / International Ceramica, Spain, 129, 36-39, ISSN: 0210-010-X (reproduction of 2012 JAC article).
2012
What haven't you been doing with paper clay?, The Journal of Australian Ceramics, 513, 44-47. ISSN: 1449-275X
Documentation and explanation of the dry to dry “dipstick” paper clay technique.
Don't be petrified, it's not paper, its fibre, yeast and fungi in your clay, Australian Ceramics Triennale 2012, Adelaide, 28 Sept - 1 Oct. A brief summary of my studio practice evolution in response not to ecological, but to changing economic and technology.
2011
Save Money, Carbon, and my Conscience, Pyre Newsletter, Ceramic Art Association of WA, April, 11-13
A brief summary of The International Ceramics Symposium 2011: Ceramic Arts and Design for a Sustainable Society was held in the Fralunda Culture Centre Gothenburg, Sweden between 7 and 11 March 2011.
The Paperclay and Digital Revolution, in Kim, J-A.,(Ed). ICS 2011: Ceramic Arts and Design for a Sustainable Society, Frolunda Culture centre, Gothenburg, Sweden. 75-84. ISBN 9789163381843
Paper presented at the International Ceramics Symposium 2011: Ceramic Arts and Design for a Sustainable Society, Frolunda Culture Centre, Gothenburg, Sweden, 7-27 March 2011. An examination of personal and national historical, economic and cultural reasons for Australians and New Zealanders obsession with overseas culture, travel and trade. Documents the author’s strive to survive as an artist, by adapting and developing paper clay techniques and constantly reducing household and studio costs, while focusing on international audiences.
Profile Visual Masters, Arts and Crafts Digital Magazine, UK, Issue 2, 6-13,
A self-reflective examination of childhood influences, early experiences with paper clay, inspiration, studio practices and mediums, on the artist’s personal style.
Pre 2010 articles are also archived on the Australian National Library TROVE here
2009
Workshop: The Paperclay Revolution, The Journal of Australian Ceramics, 48, 3, 78-812007. ISSN: 1449-275X
Edited version of my handout from workshop given the national Australian Ceramics Association, held at the Sydney Institute of TAFE, Gymea Campus, Sydney, 4-5 April, 2009.
Why burn Paperclay, Ceramic Review, UK, 227, 35 ISSN: 2514-3425 (reproduction of Why burn paper?, The Journal of Australian Ceramics, 46, 84-86)
An examination of one emerging direction in the quiet paper clay revolution, unfired exhibition work.
2007
The Paperclay Revolution, National Council on Education for the Ceramic Arts Journal, USA, vol: 28 104-105. ISSN 0739-1544
Describes the techniques, advantages and spread of the emerging paper clay movement, for artists, potters, educators, publishers and manufacturers.
Radical Paper Clay, in B.Karasu, N. Ay, Z. Cobanli, F. S. Alanyali and R. Yamacli (Ed.), Proceedings of SERES 2007-IV. Ceramic, Glass, Enamel, Glaze and Pigment Seminar, 26-28 November 2007, Anadolu University .Eskisehir, Turkey. P. 198-206
Explores the sources, consequences, problems and advantages of the emerging paper clay movement, for artists, potters, educators, publishers and manufacturers.
Why burn paper?, The Journal of Australian Ceramics, 46, 84-86. ISSN: 1449-275X
2006
A Paperclay Update, CeramicsTechnical, 22, 37-40. ISSN: 1324-4175
A summation of discussions at the First International Paperclay Symposium at the International ceramic Studio, Kecskemet, Hungary in 2004. Copy circulated to participants for comment before publication.
Pakistan Paperclay Practice, Pyre Newsletter, Ceramic Art Association of Western Australia, Dec/Jan, 14-16
Summary of Pakistan residency.
Iqbal, Z. (Ed) The paperclay practice, Exhibition catalogue, National College of Arts, Pakistan
An exhibition of ceramic and paper clay sculpture by Resident Artist Graham Hay & Students/Faculty of Ceramics Design Department, at the Zahoor ul Akhlaq Gallery, National College of Arts, 4-Shahrah-e-Quaid-e-Azam, Lahore, Pakistan, 8th April-22nd April, 2006.
2005
Hungary Paperclay, Pyre Newsletter, Ceramic Art Association of Western Australia, June/jULY, 11-12.
Description of the origin and events at Firing Fibres, the first international paper clay symposium at the International Ceramic Studio, in Hungary.
2004
The cutting edge, Textile Fibre Forum, The Australian Forum for Textile Arts, Vol.23, 1 (73) 10-11. ISSN: 0818-6308
Paper presented at the Annual Australian National Textile Fibre Forum, Geelong Grama, 27 September - 3 October 2004. Document the artist’s development of unique techniques for dry compressing and carving documents into sculptures ranging from the handheld up to four ton installations.
2002
Lithuanian symposium, Pottery in Australia, (41), 3, 53-55.
Summary of the organisation and participants at the Panevezys International Ceramics Symposium 2002.
European Holiday? The Artist's Chronicle, Western Australia, 86, 19-20. ISSN. 2207-6255
Abridged summary of the organisation and experience participating in the Panevezys International Ceramics Symposium 2002.
A skateable sculpture: using paperclay as a design medium, Pottery in Australia, 41, (1), 42-43.
Paper Love, Craft, the magazine of Craft Victoria , (33), 242, 20-22 ISSN: 1441-2748
2001
Paper Works, The Artist's Chronicle, Western Australia, 80 Aug/Sept 7. ISSN. 2207-6255
2000
Why Paperclay? ArtEd Journal, Art Education Association of Western Australia, 2, Sept p. 8-9
1999
Ancient Tribe, Project: Paperclay Sculpture, Australian Ceramics & Pottery, Express Publications, Silverwater, NSW. 1999, 1, (2) p. 52-56
Paper and Clay Edge: 9th National Ceramic Conference CDROM, Ceramic Arts Association of Western Australia, p.487-493
Neither shaken nor stirred, Craftwest, 1, 1999, 10
1998
Second Canberra National Sculpture Forum, Voices from the Underground, Perth, 1998, 3, 3-4.
1997
Counting Ceramics, Pottery in Australia,, (6) 3, 19 - 21
1996
More on Paperclay, CeramicsTECHNICAL, No.3, pp22-28. ISSN: 1324-4175
With but not on Paper, a history of paperclay in WA. Pyre: Journal of Clay & Glass Ass(WA), 9, 4-5
Democracy is the key to cultural value ..., Pyre: Journal of Clay & Glass Ass. (WA), No. 8, 18-9.
1995
Hay, G. No such thing as a free lunch, Pyre: Journal of Clay & Glass Ass. (WA), No. 7, p. 4-5
1992
Hay, G. Thermal Shock. Pottery in Australia. Vol.31. no.4 Summer. p.29.
1985
Hay, G. A Moment Shared, in absence (short story) The Pelican, UWA Guild. P11
Hay, G. Race with Life (short story), The Pelican, UWA Guild,. P12.
Hay, G. Happy? Yes thanks (Poetry), The Pelican, UWA Guild,. P12.
Hay, G. Diary: 21 March: Maduri India (short story)The Pelican, UWA Guild, c1985.
1980
Hay, G. Critic University of Otago Student Association 1980, Letters to Editor page. (Drawing)
Reviews
Review: Latitude 35O, ArtPlace Gallery 1-15 July 1999, http://www.artseeninwa.com/latitude35.html (TROVE copy)
Review: Rosa Della Torre & Abraham Donovits at ArtPlace, 23 Oct - 13 Nov, 1998 http://www.artseeninwa.com/artplace.htm (TROVE copy)
Red Hot Fibres: Paper and String, Textile Fibre Forum, The Australian Forum for Textile Arts, (2002), 21, 3, (67) 48-492.
Hay, G., Stepping outside clay, into paper clay; Mirn, Indian Ceramic Art Foundation, India, 2, 62-66.
2022
Hay, G., Challenges today technical and aesthetic, The Journal of Australian Ceramics, July 2022. Vol 61, No. 2, July, p.39
2019
Hay, G., Wired into paper clay, Studio Potter, US, 47,1, 62-65. ISSN: 0091-6641
2017
GAA Foundation, Personal Structures open borders, Exhibition Catalogue, European Cultural Centre, Venice, p.444-5 (large file) ISBN: 978-90-826559-1-9
2016
Hay, G., Looking at Periscope, Pyre, Ceramic Art Assoc. of Western Australia, May, p.6-7
2015
(jointly with Dr Neil Carlin), Translating ceramics: Neolithic to Digital, to Contemporary Social Object Ceramics Ireland, 34 p44-46 ISSN: 13939513. An email conversation between an Irish academic and Perth artist on opposite sides of the globe, and the resulting two, 2m high porcelain and paper sculptural objects, made for the 2014 Dublin Biennial international art exhibition.
2014
iHeads / stone phone cairns, Pyre, Ceramic Arts Association of Western Australian Journal, September p11-16
Document how research into the parallels between 4,000 year old clay cuneiform tablets and modern smart phones, lead to the creation of two, two metre high faces made from ceramic paper clay phones. These were selected by curator Emma Mahanay, on behalf of the Lawrence Wilson Art Gallery (UWA), for their 2014 Here&Now14 exhibition, and by Sculpture by the Sea for their 2015 Cottesloe Beach exhibition. The Arts Editor of The West Australian daily newspaper listed the work in the top ten works, and the Director of the WA State Gallery picked it as one of the 5 best works.
2013
Paper clay. Revista Internacional / International Ceramica, Spain, 129, 36-39, ISSN: 0210-010-X (reproduction of 2012 JAC article).
2012
What haven't you been doing with paper clay?, The Journal of Australian Ceramics, 513, 44-47. ISSN: 1449-275X
Documentation and explanation of the dry to dry “dipstick” paper clay technique.
Don't be petrified, it's not paper, its fibre, yeast and fungi in your clay, Australian Ceramics Triennale 2012, Adelaide, 28 Sept - 1 Oct. A brief summary of my studio practice evolution in response not to ecological, but to changing economic and technology.
2011
Save Money, Carbon, and my Conscience, Pyre Newsletter, Ceramic Art Association of WA, April, 11-13
A brief summary of The International Ceramics Symposium 2011: Ceramic Arts and Design for a Sustainable Society was held in the Fralunda Culture Centre Gothenburg, Sweden between 7 and 11 March 2011.
The Paperclay and Digital Revolution, in Kim, J-A.,(Ed). ICS 2011: Ceramic Arts and Design for a Sustainable Society, Frolunda Culture centre, Gothenburg, Sweden. 75-84. ISBN 9789163381843
Paper presented at the International Ceramics Symposium 2011: Ceramic Arts and Design for a Sustainable Society, Frolunda Culture Centre, Gothenburg, Sweden, 7-27 March 2011. An examination of personal and national historical, economic and cultural reasons for Australians and New Zealanders obsession with overseas culture, travel and trade. Documents the author’s strive to survive as an artist, by adapting and developing paper clay techniques and constantly reducing household and studio costs, while focusing on international audiences.
Profile Visual Masters, Arts and Crafts Digital Magazine, UK, Issue 2, 6-13,
A self-reflective examination of childhood influences, early experiences with paper clay, inspiration, studio practices and mediums, on the artist’s personal style.
Pre 2010 articles are also archived on the Australian National Library TROVE here
2009
Workshop: The Paperclay Revolution, The Journal of Australian Ceramics, 48, 3, 78-812007. ISSN: 1449-275X
Edited version of my handout from workshop given the national Australian Ceramics Association, held at the Sydney Institute of TAFE, Gymea Campus, Sydney, 4-5 April, 2009.
Why burn Paperclay, Ceramic Review, UK, 227, 35 ISSN: 2514-3425 (reproduction of Why burn paper?, The Journal of Australian Ceramics, 46, 84-86)
An examination of one emerging direction in the quiet paper clay revolution, unfired exhibition work.
2007
The Paperclay Revolution, National Council on Education for the Ceramic Arts Journal, USA, vol: 28 104-105. ISSN 0739-1544
Describes the techniques, advantages and spread of the emerging paper clay movement, for artists, potters, educators, publishers and manufacturers.
Radical Paper Clay, in B.Karasu, N. Ay, Z. Cobanli, F. S. Alanyali and R. Yamacli (Ed.), Proceedings of SERES 2007-IV. Ceramic, Glass, Enamel, Glaze and Pigment Seminar, 26-28 November 2007, Anadolu University .Eskisehir, Turkey. P. 198-206
Explores the sources, consequences, problems and advantages of the emerging paper clay movement, for artists, potters, educators, publishers and manufacturers.
Why burn paper?, The Journal of Australian Ceramics, 46, 84-86. ISSN: 1449-275X
2006
A Paperclay Update, CeramicsTechnical, 22, 37-40. ISSN: 1324-4175
A summation of discussions at the First International Paperclay Symposium at the International ceramic Studio, Kecskemet, Hungary in 2004. Copy circulated to participants for comment before publication.
Pakistan Paperclay Practice, Pyre Newsletter, Ceramic Art Association of Western Australia, Dec/Jan, 14-16
Summary of Pakistan residency.
Iqbal, Z. (Ed) The paperclay practice, Exhibition catalogue, National College of Arts, Pakistan
An exhibition of ceramic and paper clay sculpture by Resident Artist Graham Hay & Students/Faculty of Ceramics Design Department, at the Zahoor ul Akhlaq Gallery, National College of Arts, 4-Shahrah-e-Quaid-e-Azam, Lahore, Pakistan, 8th April-22nd April, 2006.
2005
Hungary Paperclay, Pyre Newsletter, Ceramic Art Association of Western Australia, June/jULY, 11-12.
Description of the origin and events at Firing Fibres, the first international paper clay symposium at the International Ceramic Studio, in Hungary.
2004
The cutting edge, Textile Fibre Forum, The Australian Forum for Textile Arts, Vol.23, 1 (73) 10-11. ISSN: 0818-6308
Paper presented at the Annual Australian National Textile Fibre Forum, Geelong Grama, 27 September - 3 October 2004. Document the artist’s development of unique techniques for dry compressing and carving documents into sculptures ranging from the handheld up to four ton installations.
2002
Lithuanian symposium, Pottery in Australia, (41), 3, 53-55.
Summary of the organisation and participants at the Panevezys International Ceramics Symposium 2002.
European Holiday? The Artist's Chronicle, Western Australia, 86, 19-20. ISSN. 2207-6255
Abridged summary of the organisation and experience participating in the Panevezys International Ceramics Symposium 2002.
A skateable sculpture: using paperclay as a design medium, Pottery in Australia, 41, (1), 42-43.
Paper Love, Craft, the magazine of Craft Victoria , (33), 242, 20-22 ISSN: 1441-2748
2001
Paper Works, The Artist's Chronicle, Western Australia, 80 Aug/Sept 7. ISSN. 2207-6255
2000
Why Paperclay? ArtEd Journal, Art Education Association of Western Australia, 2, Sept p. 8-9
1999
Ancient Tribe, Project: Paperclay Sculpture, Australian Ceramics & Pottery, Express Publications, Silverwater, NSW. 1999, 1, (2) p. 52-56
Paper and Clay Edge: 9th National Ceramic Conference CDROM, Ceramic Arts Association of Western Australia, p.487-493
Neither shaken nor stirred, Craftwest, 1, 1999, 10
1998
Second Canberra National Sculpture Forum, Voices from the Underground, Perth, 1998, 3, 3-4.
1997
Counting Ceramics, Pottery in Australia,, (6) 3, 19 - 21
1996
More on Paperclay, CeramicsTECHNICAL, No.3, pp22-28. ISSN: 1324-4175
With but not on Paper, a history of paperclay in WA. Pyre: Journal of Clay & Glass Ass(WA), 9, 4-5
Democracy is the key to cultural value ..., Pyre: Journal of Clay & Glass Ass. (WA), No. 8, 18-9.
1995
Hay, G. No such thing as a free lunch, Pyre: Journal of Clay & Glass Ass. (WA), No. 7, p. 4-5
1992
Hay, G. Thermal Shock. Pottery in Australia. Vol.31. no.4 Summer. p.29.
1985
Hay, G. A Moment Shared, in absence (short story) The Pelican, UWA Guild. P11
Hay, G. Race with Life (short story), The Pelican, UWA Guild,. P12.
Hay, G. Happy? Yes thanks (Poetry), The Pelican, UWA Guild,. P12.
Hay, G. Diary: 21 March: Maduri India (short story)The Pelican, UWA Guild, c1985.
1980
Hay, G. Critic University of Otago Student Association 1980, Letters to Editor page. (Drawing)
Reviews
Review: Latitude 35O, ArtPlace Gallery 1-15 July 1999, http://www.artseeninwa.com/latitude35.html (TROVE copy)
Review: Rosa Della Torre & Abraham Donovits at ArtPlace, 23 Oct - 13 Nov, 1998 http://www.artseeninwa.com/artplace.htm (TROVE copy)
Red Hot Fibres: Paper and String, Textile Fibre Forum, The Australian Forum for Textile Arts, (2002), 21, 3, (67) 48-492.
OTHER PAPERS
On Paper and about paper, Exhibition Opening speech at Mater Dei College (2001)
Cutting through the Paperwork, Talk given at the On Paper Symposium, 7 July 2001, Craft Council, London.
Paperclay experiences in the Studio (1999)
No Such Thing As A Free Lunch, First Class Honours Thesis, Curtin University (1995)
In the shadows of text, (1995)
Naive aspirations (1994)
Academic Feminism (1993)
Body of belief (1993)
Pair of Pots (1992)
Pearls of Wisdom from Rottnest(1992)
contact author
On Paper and about paper, Exhibition Opening speech at Mater Dei College (2001)
Cutting through the Paperwork, Talk given at the On Paper Symposium, 7 July 2001, Craft Council, London.
Paperclay experiences in the Studio (1999)
No Such Thing As A Free Lunch, First Class Honours Thesis, Curtin University (1995)
In the shadows of text, (1995)
Naive aspirations (1994)
Academic Feminism (1993)
Body of belief (1993)
Pair of Pots (1992)
Pearls of Wisdom from Rottnest(1992)
contact author
cited by others (under construction)
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