Journal articles, research and books on paper clay
Last update:4 March 2020
journal articles
Achar, S (2010) The paperclay TODAY conference and symposium, Laguna Beach 2010. Ceramics Technical, No. 31, Nov, 39-42.
Describes the Paperclay TODAY Conference and Symposium held in Laguna Beach in 2010, which brought together artists, researchers, and educators interested in paper clay technology. The event featured workshops, demonstrations, and presentations on the latest developments in paper clay techniques and their applications in various fields.
Acott-Fowler, L (2005) Creative Process of Paperclay, Sculptural Pursuit Magazine, Winter, 43-47
Advice on using steel as armature material and building a stable armature for sculptures using paper clay.. She explains that paperclay can be repaired when broken, and the paper fibers create a weave that holds the clay together as it shrinks, allowing for the use of metal armatures without the clay sagging or breaking.
Amos, A (2010) Paper clay: material that does not play by the rules, 1280OC, Ceramic Art Association of Israel. p.48-51
Alliband, K (2004) Fibre clay revolution, Pottery in Australia, Vol 43 #1
Baker, W L (1998) Spraying paper-reinforced clay. Ceramic Monthly, 46 (9), 46-49
Describes a technique for creating sculptures by spraying layers of paper-reinforced clay over a foam core. The author describes the history of adding tempers to clay bodies to improve their properties and the process of using a nonpressurised sandblaster to spray the paper clay.
Bennett, J., (2019) Beginning Your Exploration of Fiber Clay, Studio Potter, US, 47,1, 62-65
An introduction to paper clay as a material composed of cellulose-based fibres and not just paper fibres, suggests calling this material as fiber clay to avoid confusion. The article also offers advice on using different fibers in the clay, such as newsprint, cotton, kenaf, and abaca, and provides suggestions for the quantity of fibers to add depending on the type of clay and the artist's intentions. .
Bown, R (1996) Physical and chemical aspects of the use of fillers in paper. In: Roberts, J C (Ed) Paper chemistry, 2nd Ed., Blackie academic & professional, London
Canduran, K Canduran, C (2008) Paperclay Research from Turkey, Ceramics Technical, 26, 100-102
Caplan, J (1994) Paperclay again, New Zealand Potter, (1), 18
Caplan, J (1993) Paper and clay. Ceramic Review, (144), 11
Campbell-Allen, B (1997) Where there's smoke...paperclay in the Anagama, Pottery in Australia, 36 (1), 16-18
Describes the use of paper clay to produce cracking and loading problems when anagama firing large-scale work. Paperclay is a newer technology that enables an increase in the scale of work while being light and strong, and its green strength allows for easy transportation of raw pots to the anagama, eliminating the need for bisque firing. Also particularly useful in the firebox where pots are exposed to intense heat and may be hit stoking
.
Dietrich, S (2001) School Project: Storytelling and paperclay, Pottery in Australia,40, 3, 70-72
Ellery, D (1995) Profile: Graham Hay - Sold on Paperclay. Pottery in Australia, 34, (1), 20-21
Western Australian artist Graham Hay uses paper clay to create intellectually and aesthetically stimulating works that comment on social issues. Metaphors for institutions, their processes and language appear in his sculptures.. Paper clay allows extended periods of spontaneous creative building. A variety of techniques and a more rapid firing schedule is emphasised for his delicate work, which exhibit the influence of his place and culture.
Ellery, D (1994) Making Clay while the Sun Shines.... Pyre: Clay & Glass Assoc.(W. Aust.) Journal, (2), 6-7
Summary of a paper clay workshop at the Perth Potter's Club by Graham Hay. Paper clay has become popular as it can be joined at any stage of the drying process allowing greater flexibility. His recipe and innovative surface treatments are described. Hay has developed a formidable body of work that are unmistakably unique, often defying gravity and growing rhythmically from a constructed base.
Espagnet, F (1987) Papier Porcelaine invention de Jean-Pierre Beranger, La Revue de la Ceramique et du Verre, no: 34, Mai/Juin, 47-9
Farrow, C (1987) Paper/Clay, Artists Newsletter, United Kingdom, April, 20-1
Documents how a 1986 postgraduate student of ceramics at Goldsmiths College, Carol Farrow invented a method of firing a mixture of paper pulp and clay, enabled her to make and transport very large thin sheets of clay. While firing various types of paper, she had found that it contained a high percentage of china clay transformed in the kiln into an extremely fragile ceramic material. This inspired her to beat various papers using a glaze mixer, mixing them with clay slip and forming them into a new material; paper clay.
Fuzi, L. (2006) Paper, Clay, Paperclay, Ceramics Technical, No. 23, 29-31
Füzi L (2002) Margit Gerle's Biomorphs, Ceramic: Art and Perception, 49, 96-97
Gartside, B (1994a) Paper clay. Ceramic Review, (148), 42-43 (Copy from NZ Potter, 35, (3), 1993)
Gartside, B (1994b) Paper clay 2. Ceramic Review, (150), 38-39 (Copy from NZ Potter, 36, (1), 1994)
Gartside, B (1994d) Breaking the rules... Pottery in Australia, 33, (4), 65-66. (copied from NZ Potter, 36, (1), 17)
Gartside, B (1994e) Suitcase art. New Zealand Potter, 36, (1), 17.
Gartside, B (1993) Mix what with clay? New Zealand Potter, 35, (3), 32-33
Gault, R (2011) A Potential for Paperclay Water Filters: An Artists View, in Kim, J-A (Ed) ICS 2011: Ceramic Arts and Design for a Sustainable Society, Sweden. 92-111
Gault, R (2004) Success with large Scale Paperclay Porcelain and Beyond Ceramics Technical, 18 (1), 99-103
Gault, R (1999) Paper clay A Primer, Pottery Making Illustrated Handbook, Fall, (87) 25-30
Gault, R (1996) Rules, Rules, What Rules? Sculptural Freedom with Paper Clay, Ceramic Review, Jun/Jul/Aug, 77-80
Gault, R (1995) The Magic of Paperclay. Ceramic Review, (155), 10-13
Gault, R (1994) The Potential of Paperclay. Ceramic: Art and Perception. (18), 81-85
Gault, R (1993) 2nd generation ceramics. Interaction in Ceramics, Art, Design, Research. UIAH: Helsinki, 75-79
Gault, R (1993-4) Amazing Paperclay. National Council on Education for the Ceramic Arts Journal, 14-17
Gault, R (1992) Amazing Paperclay. Ceramics Monthly, June/July/Aug, 96-99
Goldate, S (2001) Working with paperslip. Ceramics Technical, 13, 78-80
Griffith, R (1998) The Adobe series. Ceramics Technical, 6, 30-33
Heimer, A Juvonen, L Pedersen, P (2009) Tricycle, A forum for creative processes (unpublished paper) Norway/ Finland/ Denmark.
Harrison, S (1998) The Making of Paperclay Porcelain Banners. Pottery in Australia, 37, (2) 68-9
Hay, G., (2019) Wired into paper clay, Studio Potter, US, 47,1, 62-65
Hay, G (2013) Paper clay. Revista International Ceramica, Spain, 129, 36-39, (reproduction of 2012 JAC article).
Hay, G (2012) What haven't you been doing with paper clay? The Journal of Australian Ceramics, 513, 44-47
Hay, G (2012) Don't be petrified, it's not paper, its fibre, yeast and fungi in your clay, Australian Ceramics Triennale paper, Adelaide.
Hay, G (2011) The Paperclay and Digital Revolution, in Kim, J-A.,(Ed). ICS 2011: Ceramic Arts and Design for a Sustainable Society,
Sweden. 75-84
Hay, G (2009) Workshop: The Paperclay Revolution, The Journal of Australian Ceramics, 48, 3, 78-81
Hay, G (2007) Radical Paper Clay, Seres'07 Ceramic, Glass, Enamel, Glaze and Pigment Seminar, Eskisehir Anadolu University, 198
Hay, G (2007) The Paperclay Revolution, National Council on Education for the Ceramic Arts Journal, USA, vol: 28, 104-105
Hay, G (2007) Why burn paper?, The Journal of Australian Ceramics, 46, 84-86 (reproduced in Hay, G (2007)
Why burn Paperclay, Ceramic Review, UK, 227, 35)
Hay, G (2006) A Paperclay Update, Ceramics Technical, 22, 37-40
Hay, G (2002) A skateable sculpture: using paperclay as a design medium, Pottery in Australia, 41, (1), 42-43
Hay, G (2000) Why Paperclay? ArtEd Journal, Art Education Association of W. Australia, 2, p. 8-9
Hay, G (1999) Ancient Tribe Project. Australian Ceramics & Pottery, 1, (2) p. 52-56
Hay, G (1999) Paper and Clay, Edge: 9th Australian National Ceramic Conference CDROM, CAA (WA), p.487-493
Hay, G (1996) More on Paperclay. Ceramics Technical, No.3, pp22-28
Hay, G (1996) With but not on Paper, a history of paperclay in WA. Pyre: CGA (WA) Journal. (WA), 9, 4-5
Hay, G (1999) Paperclay experiences in the Studio, unpublished paper
Hawes, W (1998) Building a Paperclay Dragon. Ceramic: Art and Perception, 7, 36-38
Jeoung-Ah, K (2009) The User Experience and Perception of Sustainable Ceramic Design,
IASDR 2009 conference paper, Seoul, Korea
Jeoung-Ah, K (2006) The characterisation of paper-composite porcelain in a green state,
Journal of the European Ceramic Society, 26, 6, 1023-1034
Jeoung-Ah, K (2004) The characterisation of paper composite porcelain in a fired state by XRD and SEM.
Journal of the European Ceramic Society, 24, 15-16, December, 3823-3831
Juvonen, L (1995) Using paper fiber as a substitute in ceramic clays, Proceedings of the 8th CIMTEC World Ceramics Congress, 1994, Vincenzini, P. (ed.), Finenze, Italy June, P 193-200
Kingston, R Carlin, M (2007) Keraflex Porcelain: An Introduction, Ceramics Technical, 25, 9-11
Kingston, R Carlin, M (2007) keraflex porcelain tape: A comparative approach, The Journal of Australian Ceramics, 46, 1.
Lawrence, J (1999) A Potter's day. Ceramic Review, 175, 62
Lightwood, A. (2001) The Diversity of Paperclay, Ceramic Technical, 13, 73-77.
Lightwood, A (1995) Playing with paperclay. Ceramic Review, 156, 18-19
Lyle, V. G (2001) Figurative Sculpture In Paper Clay, Department Of Art And Design, East Tennessee State University (MFA Thesis)
Mau, L (1997) Paper clay and Steel, Ceramics Monthly Magazine, May, 45 5
Michaud, J (1999) Paperclay Sculpture with Ian Gregory, Clay Times, USA, Sept/Oct 11-13
Miller, A (1994) Slipping into paperclay. (unpublished research paper)
Nelson, L., (2019) Interviews with Three Paper Clay Artists, Studio Potter, US, 47,1, 52-56
Nelson, L., (2019) Paper Clay Illuminated: Journey to an Exhibition, Studio Potter, US, 47,1, 66-71
Nelson, L (1998) Karen Smith-Sculpture in paperclay. CSG Newsletter, (NSW), Sydney, June, 4-5
Odier, E (2010) Un matériau insolite : la terre-papier. Le Journal de l’Animation, France, n°108, 38-51
Özgüven, S., (2019) Paper Clay & 3-D Printing: Applications in ceramic art, Studio Potter, US, 47,1, 60-61
Peterson, S (1995) The craft and art of clay. 2nd ed., The overlook press, New York
Rodriguez del Ojo, N. (2017). in a new land: (be)longing (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/26497
Robison, J (1992) Runaway thoughts on water, The International Magazine of the International Potters' Festival at Aberystwyth, 8
Rassell, J (1993) Paper clay: Rosette Gault at NCECA, San Diego 1993. NZ Potter, (2), 20
Reindeers, A (1999) Technical info sheet: Fibre Clay, European Ceramic Work Centre, Holland
Saccardo, M (2004) Possibilities with paperclay. Pottery in Australia, (42), 2, 74
Smith, H (2001) Flexography: Photographic relief printing on paperclay. Ceramic Review, 189, May/Jun
Soong, D K Ling, Y C (1995) Determination of PCDD/DFs in paper clay samples. Chemosphere, 30 (9), 1799-1803
Spencer-Cooke, A (1996) Porcelain Documents. Ceramics Monthly, December, 91
Standen, K., (2012) Irish Forms and Colours, Ceramic Review, 258, Nov/Dec, 56-9
Stevens, G (2002) An Investigation into the Properties of Porcelain Paperclay, Ceramics Technical, 14 May, 72-77.
Valmadre, J (2009) Barbecued Clay. Yum!, Journal of Australian Ceramics, 3, Cover, 44-47.
Wilson, L (2013) Paper clay Yes!, Clay Times, USA, Winter / Spring, 25-26.
Cann't find an article? Please email me.
Describes the Paperclay TODAY Conference and Symposium held in Laguna Beach in 2010, which brought together artists, researchers, and educators interested in paper clay technology. The event featured workshops, demonstrations, and presentations on the latest developments in paper clay techniques and their applications in various fields.
Acott-Fowler, L (2005) Creative Process of Paperclay, Sculptural Pursuit Magazine, Winter, 43-47
Advice on using steel as armature material and building a stable armature for sculptures using paper clay.. She explains that paperclay can be repaired when broken, and the paper fibers create a weave that holds the clay together as it shrinks, allowing for the use of metal armatures without the clay sagging or breaking.
Amos, A (2010) Paper clay: material that does not play by the rules, 1280OC, Ceramic Art Association of Israel. p.48-51
Alliband, K (2004) Fibre clay revolution, Pottery in Australia, Vol 43 #1
Baker, W L (1998) Spraying paper-reinforced clay. Ceramic Monthly, 46 (9), 46-49
Describes a technique for creating sculptures by spraying layers of paper-reinforced clay over a foam core. The author describes the history of adding tempers to clay bodies to improve their properties and the process of using a nonpressurised sandblaster to spray the paper clay.
Bennett, J., (2019) Beginning Your Exploration of Fiber Clay, Studio Potter, US, 47,1, 62-65
An introduction to paper clay as a material composed of cellulose-based fibres and not just paper fibres, suggests calling this material as fiber clay to avoid confusion. The article also offers advice on using different fibers in the clay, such as newsprint, cotton, kenaf, and abaca, and provides suggestions for the quantity of fibers to add depending on the type of clay and the artist's intentions. .
Bown, R (1996) Physical and chemical aspects of the use of fillers in paper. In: Roberts, J C (Ed) Paper chemistry, 2nd Ed., Blackie academic & professional, London
Canduran, K Canduran, C (2008) Paperclay Research from Turkey, Ceramics Technical, 26, 100-102
Caplan, J (1994) Paperclay again, New Zealand Potter, (1), 18
Caplan, J (1993) Paper and clay. Ceramic Review, (144), 11
Campbell-Allen, B (1997) Where there's smoke...paperclay in the Anagama, Pottery in Australia, 36 (1), 16-18
Describes the use of paper clay to produce cracking and loading problems when anagama firing large-scale work. Paperclay is a newer technology that enables an increase in the scale of work while being light and strong, and its green strength allows for easy transportation of raw pots to the anagama, eliminating the need for bisque firing. Also particularly useful in the firebox where pots are exposed to intense heat and may be hit stoking
.
Dietrich, S (2001) School Project: Storytelling and paperclay, Pottery in Australia,40, 3, 70-72
Ellery, D (1995) Profile: Graham Hay - Sold on Paperclay. Pottery in Australia, 34, (1), 20-21
Western Australian artist Graham Hay uses paper clay to create intellectually and aesthetically stimulating works that comment on social issues. Metaphors for institutions, their processes and language appear in his sculptures.. Paper clay allows extended periods of spontaneous creative building. A variety of techniques and a more rapid firing schedule is emphasised for his delicate work, which exhibit the influence of his place and culture.
Ellery, D (1994) Making Clay while the Sun Shines.... Pyre: Clay & Glass Assoc.(W. Aust.) Journal, (2), 6-7
Summary of a paper clay workshop at the Perth Potter's Club by Graham Hay. Paper clay has become popular as it can be joined at any stage of the drying process allowing greater flexibility. His recipe and innovative surface treatments are described. Hay has developed a formidable body of work that are unmistakably unique, often defying gravity and growing rhythmically from a constructed base.
Espagnet, F (1987) Papier Porcelaine invention de Jean-Pierre Beranger, La Revue de la Ceramique et du Verre, no: 34, Mai/Juin, 47-9
Farrow, C (1987) Paper/Clay, Artists Newsletter, United Kingdom, April, 20-1
Documents how a 1986 postgraduate student of ceramics at Goldsmiths College, Carol Farrow invented a method of firing a mixture of paper pulp and clay, enabled her to make and transport very large thin sheets of clay. While firing various types of paper, she had found that it contained a high percentage of china clay transformed in the kiln into an extremely fragile ceramic material. This inspired her to beat various papers using a glaze mixer, mixing them with clay slip and forming them into a new material; paper clay.
Fuzi, L. (2006) Paper, Clay, Paperclay, Ceramics Technical, No. 23, 29-31
Füzi L (2002) Margit Gerle's Biomorphs, Ceramic: Art and Perception, 49, 96-97
Gartside, B (1994a) Paper clay. Ceramic Review, (148), 42-43 (Copy from NZ Potter, 35, (3), 1993)
Gartside, B (1994b) Paper clay 2. Ceramic Review, (150), 38-39 (Copy from NZ Potter, 36, (1), 1994)
Gartside, B (1994d) Breaking the rules... Pottery in Australia, 33, (4), 65-66. (copied from NZ Potter, 36, (1), 17)
Gartside, B (1994e) Suitcase art. New Zealand Potter, 36, (1), 17.
Gartside, B (1993) Mix what with clay? New Zealand Potter, 35, (3), 32-33
Gault, R (2011) A Potential for Paperclay Water Filters: An Artists View, in Kim, J-A (Ed) ICS 2011: Ceramic Arts and Design for a Sustainable Society, Sweden. 92-111
Gault, R (2004) Success with large Scale Paperclay Porcelain and Beyond Ceramics Technical, 18 (1), 99-103
Gault, R (1999) Paper clay A Primer, Pottery Making Illustrated Handbook, Fall, (87) 25-30
Gault, R (1996) Rules, Rules, What Rules? Sculptural Freedom with Paper Clay, Ceramic Review, Jun/Jul/Aug, 77-80
Gault, R (1995) The Magic of Paperclay. Ceramic Review, (155), 10-13
Gault, R (1994) The Potential of Paperclay. Ceramic: Art and Perception. (18), 81-85
Gault, R (1993) 2nd generation ceramics. Interaction in Ceramics, Art, Design, Research. UIAH: Helsinki, 75-79
Gault, R (1993-4) Amazing Paperclay. National Council on Education for the Ceramic Arts Journal, 14-17
Gault, R (1992) Amazing Paperclay. Ceramics Monthly, June/July/Aug, 96-99
Goldate, S (2001) Working with paperslip. Ceramics Technical, 13, 78-80
Griffith, R (1998) The Adobe series. Ceramics Technical, 6, 30-33
Heimer, A Juvonen, L Pedersen, P (2009) Tricycle, A forum for creative processes (unpublished paper) Norway/ Finland/ Denmark.
Harrison, S (1998) The Making of Paperclay Porcelain Banners. Pottery in Australia, 37, (2) 68-9
Hay, G., (2019) Wired into paper clay, Studio Potter, US, 47,1, 62-65
Hay, G (2013) Paper clay. Revista International Ceramica, Spain, 129, 36-39, (reproduction of 2012 JAC article).
Hay, G (2012) What haven't you been doing with paper clay? The Journal of Australian Ceramics, 513, 44-47
Hay, G (2012) Don't be petrified, it's not paper, its fibre, yeast and fungi in your clay, Australian Ceramics Triennale paper, Adelaide.
Hay, G (2011) The Paperclay and Digital Revolution, in Kim, J-A.,(Ed). ICS 2011: Ceramic Arts and Design for a Sustainable Society,
Sweden. 75-84
Hay, G (2009) Workshop: The Paperclay Revolution, The Journal of Australian Ceramics, 48, 3, 78-81
Hay, G (2007) Radical Paper Clay, Seres'07 Ceramic, Glass, Enamel, Glaze and Pigment Seminar, Eskisehir Anadolu University, 198
Hay, G (2007) The Paperclay Revolution, National Council on Education for the Ceramic Arts Journal, USA, vol: 28, 104-105
Hay, G (2007) Why burn paper?, The Journal of Australian Ceramics, 46, 84-86 (reproduced in Hay, G (2007)
Why burn Paperclay, Ceramic Review, UK, 227, 35)
Hay, G (2006) A Paperclay Update, Ceramics Technical, 22, 37-40
Hay, G (2002) A skateable sculpture: using paperclay as a design medium, Pottery in Australia, 41, (1), 42-43
Hay, G (2000) Why Paperclay? ArtEd Journal, Art Education Association of W. Australia, 2, p. 8-9
Hay, G (1999) Ancient Tribe Project. Australian Ceramics & Pottery, 1, (2) p. 52-56
Hay, G (1999) Paper and Clay, Edge: 9th Australian National Ceramic Conference CDROM, CAA (WA), p.487-493
Hay, G (1996) More on Paperclay. Ceramics Technical, No.3, pp22-28
Hay, G (1996) With but not on Paper, a history of paperclay in WA. Pyre: CGA (WA) Journal. (WA), 9, 4-5
Hay, G (1999) Paperclay experiences in the Studio, unpublished paper
Hawes, W (1998) Building a Paperclay Dragon. Ceramic: Art and Perception, 7, 36-38
Jeoung-Ah, K (2009) The User Experience and Perception of Sustainable Ceramic Design,
IASDR 2009 conference paper, Seoul, Korea
Jeoung-Ah, K (2006) The characterisation of paper-composite porcelain in a green state,
Journal of the European Ceramic Society, 26, 6, 1023-1034
Jeoung-Ah, K (2004) The characterisation of paper composite porcelain in a fired state by XRD and SEM.
Journal of the European Ceramic Society, 24, 15-16, December, 3823-3831
Juvonen, L (1995) Using paper fiber as a substitute in ceramic clays, Proceedings of the 8th CIMTEC World Ceramics Congress, 1994, Vincenzini, P. (ed.), Finenze, Italy June, P 193-200
Kingston, R Carlin, M (2007) Keraflex Porcelain: An Introduction, Ceramics Technical, 25, 9-11
Kingston, R Carlin, M (2007) keraflex porcelain tape: A comparative approach, The Journal of Australian Ceramics, 46, 1.
Lawrence, J (1999) A Potter's day. Ceramic Review, 175, 62
Lightwood, A. (2001) The Diversity of Paperclay, Ceramic Technical, 13, 73-77.
Lightwood, A (1995) Playing with paperclay. Ceramic Review, 156, 18-19
Lyle, V. G (2001) Figurative Sculpture In Paper Clay, Department Of Art And Design, East Tennessee State University (MFA Thesis)
Mau, L (1997) Paper clay and Steel, Ceramics Monthly Magazine, May, 45 5
Michaud, J (1999) Paperclay Sculpture with Ian Gregory, Clay Times, USA, Sept/Oct 11-13
Miller, A (1994) Slipping into paperclay. (unpublished research paper)
Nelson, L., (2019) Interviews with Three Paper Clay Artists, Studio Potter, US, 47,1, 52-56
Nelson, L., (2019) Paper Clay Illuminated: Journey to an Exhibition, Studio Potter, US, 47,1, 66-71
Nelson, L (1998) Karen Smith-Sculpture in paperclay. CSG Newsletter, (NSW), Sydney, June, 4-5
Odier, E (2010) Un matériau insolite : la terre-papier. Le Journal de l’Animation, France, n°108, 38-51
Özgüven, S., (2019) Paper Clay & 3-D Printing: Applications in ceramic art, Studio Potter, US, 47,1, 60-61
Peterson, S (1995) The craft and art of clay. 2nd ed., The overlook press, New York
Rodriguez del Ojo, N. (2017). in a new land: (be)longing (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/26497
Robison, J (1992) Runaway thoughts on water, The International Magazine of the International Potters' Festival at Aberystwyth, 8
Rassell, J (1993) Paper clay: Rosette Gault at NCECA, San Diego 1993. NZ Potter, (2), 20
Reindeers, A (1999) Technical info sheet: Fibre Clay, European Ceramic Work Centre, Holland
Saccardo, M (2004) Possibilities with paperclay. Pottery in Australia, (42), 2, 74
Smith, H (2001) Flexography: Photographic relief printing on paperclay. Ceramic Review, 189, May/Jun
Soong, D K Ling, Y C (1995) Determination of PCDD/DFs in paper clay samples. Chemosphere, 30 (9), 1799-1803
Spencer-Cooke, A (1996) Porcelain Documents. Ceramics Monthly, December, 91
Standen, K., (2012) Irish Forms and Colours, Ceramic Review, 258, Nov/Dec, 56-9
Stevens, G (2002) An Investigation into the Properties of Porcelain Paperclay, Ceramics Technical, 14 May, 72-77.
Valmadre, J (2009) Barbecued Clay. Yum!, Journal of Australian Ceramics, 3, Cover, 44-47.
Wilson, L (2013) Paper clay Yes!, Clay Times, USA, Winter / Spring, 25-26.
Cann't find an article? Please email me.
books
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Gault, R (2013) Paperclay: Art and Practice (The New Ceramics), U. of Pennsylvania Press / Broomsbury.
Gault, R (1998, 2005) Paper Clay, 2nd Edition (Ceramics Handbooks), A & C Black, London, U. of Pennsylvania Press, Allen and Unwin (Aust).
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Sliva, O., & Sänger, A., (2015) Paperclay, the Perfect Union, Storchennest, Austria
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Tardio-Brise, L Complete Guide to Paper Clay: book: (English 2022), (Français 2016), (Deutsch 2017).
master / doctoral theses
Bingyin Xie, (2021). The application of fiber materials in modern ceramic art See a Fairy-Tale World series design report, Jingdezhen Ceramic University, China
Boya Peng, (2018). The Application of Fiber Texture in Ceramic Art - Analysis Based on Ceramic Works "Artistic conception" (Experimental Study on fiber ceramic), Jingdezhen Ceramic University, China
Frisinger, L. A. (2012). Paperclay in Recent South African Ceramics: Continuity and Change in Studio Works MA, University of KwaZulu-Natal: Pietermaritzburg, South Africa.
García González, MD. (2016). About paper and its potential as a plastic configurator, [Unpublished doctoral thesis]. Polytechnic University of Valencia.. https://doi.org/10.4995/Thesis/10251/61959
Gault, R (2014) Innovation in Paperclay Ceramic Arts, PhD, University of Sunderland, UK.
Gerle, M. (2005) Paper, clay - paperclay. Doctoral Thesis, Moholy-Nagy University of Art and Design, Hungary.
Jeoung-Ah, K (2006) Paper-Composite Porcelain: Characterisation of Material Properties and Workability from a Ceramic Art and Design Perspective, Doctoral Thesis, School of Design and Crafts, University of Gothenburg /GO Art, Sweden.
Jiaxin Chen, (2020). Research on ceramic paper fiber technology and formal language, Guangzhou Academy of Fine Arts, China
Jinglian Li, (2020). Research on the "Fabric" Language of Modren Ceramic creation, Jingdezhen Ceramic University, China
Jingyu Xv, (2021). Research on the direction of emotional experimence design of cloth and porcelain from the perspective of material-driven design, Jingdezhen Ceramic University, China
Lin Luo, (????). Experiment and creation of mud and paper laminated forming process, China Academy of Art, China
Lyle, V.G. (2001). Figurative Sculpture in Paper Clay, , East Tennessee State University, USA
Mengge Dai, (2022). Practical Study of Ceramic Materials in Fiber Art Creation-Take the work "knot rope record" as an example, Tianjin Academy of Fine Arts, China
Minqiao Zhang, (2019). Exploration and Research on Forming Techniques in Modern Ceramics, Hunan Normal University, China
Mohd Raffie, Mohd Shahrol Hanafi (2013) The characteristic of sayong paperclay slip for artwork, Masters thesis, Universiti Teknologi MARA, Malaysia
Néma, J. (2011). Transparent thinking: Pyrograms: From the space of fire to space. Unique wood-firing effects on paper porcelain and stoneware, Doctoral Thesis, Moholy-Nagy University of Art and Design, Hungary
Ozdemr, D (2006). Paperclay Ceramic Bodies and Applications, Doctoral Thesis, Anadolu University, Eskisehir, Turkey.
Sisi Chen, (2010). Ethereal, warm, natural: a study of contemporary paper-pottery art, China Academy of art, China
Xin Liu, (2019). Composite mud technology—-take the works of Therese Lebrun as an example, China Academy of Art, China
Xin Liu, (2023). The research on the Application of Fiber Materials in Ceramic Art Creation, Jingdezhen Ceramic University, China
Xinwen Hu, (2017). The research in the context of ceramic and fiber materials in contemporary art, Qingdao University of Science and Technology, China
Yan Wang, (2018). Analysis on Angela Mellor' s ceramic works-To translucent bone china for example, China Academy of art, China.
Yinan Chen, (2018). The Application and Development of Paper Art in Modern Ceramic Art Creation, Hubei Institute of Fine Arts, China.
Yiting Liu, (2022). On the performance of fiber material in modern ceramic art creation, Tianjin Academy Of Fine Arts, China
Yueyi Zhang, (2019). The aesthetics of fiber elements in modern ceramic works, Hubei Institute of Fine Arts, China
Zizio Shoud, S (2013). Paperclay techniques between form and color., Masters Thesis, Alexandria university, Egypt.
Your thesis or a weblink to it missing? email me
This list and links is at www.grahamhay.com.au/articles.html
Suggestions for additions are welcomed.
More about paperclay
Suggestions for additions are welcomed.
More about paperclay
