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Picture

​​PROFILE OF THE ARTISTS

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​Christine Dyer uses blue and white coloured ceramic vessels to symbolize old china, and crotchet. To these she adds lace work and glass beads to represent the forgotten ‘arts’ of yesteryear. "In this body of work I have used traditional elements of design, colour, and materials to draw notice to the often overlooked or unseen interior" said Christine.
​Click here for images and details  
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​Graham Hay explores his social location, reporting back with ceramic and paper sculptures. "Are we simply the product of our increasingly externally defined enviroment?" he asks. "Can we be free or active agents in this process?"
​Click here for images and details  

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​Dee Jaeger continues her focus on the female figure. However, this time the bases are even larger, suggesting a "contextual landscape" representing an "emotional and physical relationship." Click here for images and details.   ​​Click here for images and details  
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​Bill Jeffrey creates bronze sculpture, which reconstruct and redefine the ancient myth and image of the unicorn as well as illustrate "images in competition with images, in one sense of struggle, in another sense they are the truth".
Click here for images and details.

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​Irene Poulton explores the symbolism and emotions associated with the church, temple, shrine, icon and reliquary, with brightly coloured raku fired ceramic forms.
Click here for images and details.
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​Stewart Scambler creates beautifully wheel-thrown and woodfired vessel forms. He describes them as ""simple objects that through their involvement in the daily ritual of life can carry intellectual and spiritual significance."
Click here for images and details.

This exhibition celebrates 12 years of the artists exhibiting together. Their exhibitions together include Thermal Shock at the Bridge Gallery in 1992, Thermal Shock II at the 1994 Art and Craft Expo in Fremantle, AfterShock at the Moores Building in 1995, Committed at the Fremantle Arts Centre in 1997 Tempus Fugit (Time Flies) at Gomboc Galleries in 1999, and Beyond Ritual at the Church Gallery in 2001.

The exhibition will be opened by Belinda Carrigan, former General Manager for the Holmes a Court Collection, on Friday 19 September at 6.00 pm.

The Gallows Gallery is open Wednesday - Saturday 10 am – 4:30 pm, Sunday 2 pm - 5 pm, until Sunday 5 October.

For further information and images please contact:

The Gallows Gallery     Ph: +61 (08) 9286 4730        Website: www.gallowsgallery.com
Studio: Farmer Street Studio, North Perth, AUS                  
click invitation / annual e-newsletter (Mail chimp).
 All content and images on this site is © to the acknowledged  artists, authors and photographer.  See links  to their preferred online presence.  
Unauthorised reproduction is prohibited by law.​
​Purchase a licence to use images of Graham Hays' art via https://www.copyright.com.au  privacy policy.   All photos of Graham Hay's work by Victor France or Graham Hay. 
Website last update:: 
15 May 2025
(c) All images Graham Hay, and the cited photographers and artists.
  • index
  • art
    • paperman >
      • projects
    • ceramic_paper_clay
    • papersculpture
    • notfiredpaperclay
    • performance_art
    • video_art
  • bio
    • cv
  • paperclay
    • articles >
      • miller1994
      • Fowler2006
      • Ellery1995
      • campbell1997
      • haydennis2006
      • ellery1994
      • farrow1987
      • gartside1993
      • gartside1994
      • gault2004cap.html
      • gault1994cap
      • gault1993icadr
      • gault1992cm
      • harrison1998
      • hay2012dipsticking
      • hay2007pcrevolution
      • hay2007whyburn
      • hay2006update
      • hay2005pyre
      • hay1996more
      • juvonen1997
      • 2006DilekOzdemir
    • internationalpaperclayevents >
      • 2016symposium-usa
      • 2010paperclaytoday
      • 2008PotterCouncil
      • 2007Norway
      • conference2000
      • icsinvite
    • paperclayartists
    • paperclayvideos
    • paperclaydiscussions
    • suppliers
  • reviews