Acott-Fowler, L. (2005) Creative Process of Paperclay, Sculptural Pursuit Magazine, Winter, 43-47
Alliband, K (2004) Fibre clay revolution, Pottery in Australia, Vol 43 #1
Aylieff, F., (2001) Working with Paperclay and Other Additives, Ceramic Review 189 (May–June), 56.
Baker, W. L. (1998) Spraying paper-reinforced clay. Ceramic Monthly, 46 (9), 46-49
Bown. R. (1996) Physical and chemical aspects of the use of fillers in paper. In: Roberts. J. C. (ed.) Paper chemistry, 2nd Ed., Blackie academic & professional, London
Canduran, K., Canduran, C., (2008) Paperclay Research from Turkey, Ceramics Technical, 26, 100-102
Caplan, J. (1994).Paperclay again, New Zealand Potter, (1), 18
---------- (1993). Paper and clay. Ceramic Review, (144), 11
Campbell-Allen, B (1997) Where there's smoke...paperclay in the Anagama, Pottery in Australia, 36 (1), 16-18
Dietrich, S. (2001) School Project: Storytelling and paperclay, Pottery in Australia,40, 3, 70-72
Ellery, D. (1995). Profile: Graham Hay - Sold on Paperclay. Pottery in Australia, 34, (1), 20-21
---------- (1994). Making Clay while the Sun Shines.... Pyre: Clay & Glass Assoc.(W. Aust.) Journal, (2), 6-7
Farrow, C., (1987) Paper/Clay, Artists Newsletter, United Kingdom, April, 20-1
Füzi, L., (2002). Margit Gerle's Biomorphs, Ceramic: Art and Perception, 49, 96-97
Gartside, B. (1994a). Paper clay. Ceramic Review, (148), 42-43 (Copy from NZ Potter, 35, (3), 1993)
---------- (1994b). Paper clay 2. Ceramic Review, (150), 38-39 (Copy from NZ Potter, 36, (1), 1994)
---------- (1994d). Breaking the rules... Pottery in Australia, 33, (4), 65-66. (copied from NZ Potter, 36, (1), 17)
---------- (1994e). Suitcase art. New Zealand Potter, 36, (1), 17
---------- (1993). Mix what with clay? New Zealand Potter, 35, (3), 32-33
Gault, R. (2004) Success with large Scale Paperclay Porcelain and Beyond Ceramics TECHNICAL, 18 (1), 99-103
--------- (1999) Paper clay A Primer, Pottery Making Illustrated Handbook, Fall, (87) 25-30
--------- (1996).Rules, Rules, What Rules? Sculptural Freedom with Paper Clay, Ceramic Review, Jun/Jul/Aug, 77-80
--------- (1995). The Magic of Paperclay. Ceramic Review, (155), 10-13
---------- (1994). The Potential of Paperclay. Ceramic: Art and Perception. (18), 81-85
---------- (1993). 2nd generation ceramics. Interaction in Ceramics, Art, Design, Research. UIAH: Helsinki, 75-79
---------- (1993-4). Amazing Paperclay. National Council on Education for the Ceramic Arts Journal, 14-17
---------- (1992). Amazing Paperclay. Ceramics Monthly, June/July/Aug, 96-99
Goldate, S. (2003). Paperslip, Ceramics Today
…………… (2001) Working with paperslip. Ceramics technical, 13, 78-80
Griffith, R. (1998) The Adobe series. Ceramics technical, 6, 30-33
Harrison, S. (1998) The Making of Paperclay Porcelain Banners. Pottery in Australia, 37, (2) 68-9
Hay, G.(2007) Radical Paper Clay, Seres'07 Ceramic, Glass, Enamel, Glaze and Pigment Seminar, Eskisehir Anadolu University,
198
---------- (2007) The Paperclay Revolution, National Council on Education for the Ceramic Arts Journal, USA, vol: 28, 104-105
---------- (2007) Why burn paper?, The Journal of Australian Ceramics, 46, 84-86 (reproduced in Hay, G., (2007) Why burn Paperclay, Ceramic Review, UK, 227, 35)
---------- (2006) A Paperclay Update, Ceramics Technical, 22, 37-40
---------- (2002) A skateable sculpture: using paperclay as a design medium, Pottery in Australia, 41, (1), 42-43
---------- (2000) Why Paperclay? ArtEd Journal, Art Education Association of W. Australia, 2, p. 8-9
---------- (1999) Ancient Tribe Project. Australian Ceramics & Pottery, 1, (2) p. 52-56
---------- (1999) Paper and Clay, Edge: 9th Australian National Ceramic Conference CDROM, CAA (WA), p.487-493
---------- (1996) More on Paperclay. Ceramics TECHNICAL, No.3, pp22-28
---------- (1996) With but not on Paper, a history of paperclay in WA. Pyre: CGA (WA) Journal. (WA), 9, 4-5
---------- (1999)Paperclay experiences in the Studio, unpublished paper
Hawes, W. (1998). Building a Paperclay Dragon. Ceramic: Art and Perception, 7, 36-38
Jeoung-Ah, K., (2006), The characterisation of paper-composite porcelain in a green state, Journal of the European Ceramic Society,
26, 6, 1023-1034
---------- (2004)The characterisation of paper composite porcelain in a fired state by XRD and SEM. Journal of the European Ceramic Society,
24, 15-16, December, 3823-3831
Juvonen, L. (1995). Using paper fiber as a substitute in ceramic clays, . In Proceeding of the 8th CIMTEC World Ceramics Congress, 1994, Vincenzini, P. (ed.), Finenze, Italy June, P 193-200
Kingston, R., & Carlin, M., (2007) Keraflex Porcelain: An Introduction, Ceramics Technical, 25, 9-11
Lawrence, J. (1999). A Potter's day. Ceramic Review, 175, 62
Lightwood, A. (1995). Playing with paperclay. Ceramic Review, 156, 18-19
Mau, L., (1997), Paperclay and Steel, Ceramics Monthly Magazine, May, 45 5
Michaud, J., (1999). Paperclay Sculpture with Ian Gregory, Clay Times, U.S.A, Sept/Oct 11-13
Miller, A. (1994). Slipping into paperclay. (unpublished research paper)
Nelson, L. (1998). Karen Smith-Sculpture in paperclay. CSG Newsletter (NSW), Sydney, June, 4-5
Peterson, S. (1995) The craft and art of clay. 2nd ed., The overlook press, New York
Robison, J. (1992) Runaway thoughts on water, The International Magazine of the International Potters' Festival at Aberystwyth, 8
Rassell, J. (1993). Paper clay: Rosette Gault at NCECA, San Diego 1993. NZ Potter, (2), 20
Saccardo, M.(2004). Possibilities with paperclay. Pottery in Australia, (42), 2, 74
Smith, H. (2001). Flexography: Photographic relief printing on paperclay. Ceramic Review 189, May/Jun
Soong, D. K. and Ling, Y. C. (1995) Determination of PCDD/DFs in paper clay samples. Chemosphere, 30 (9), 1799-1803
Spencer-Cooke, A. (1996) Porcelain Documents. Ceramics Monthly, December, 91
Stevens, G., (2002) An Investigation into the Properties of Porcelain Paperclay, Ceramics Technical, 14 May, 72-77.
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